|
 |
Feed The Kitty (Donations)
It costs
monthly to maintain this site, and a lot of time to create this material for
you. If you think it's worth it, help the old man out. If not,
you're welcome anyway.
If anybody wants the complete tutorial on
All the Things You Are,
drop anything in the kitty you can afford, and I'll send it to you via
USendit.
|
BEGIN HERE
Read and Re Read These Nine Files If You're Serious
Life
and Music
Left
Hand Right Hand
Thoughts on Playing
and Practicing
The Overtone Series
The Evolution of Key Structure
Letters, Modes, and numbers
Tritones
Temporary Tritones
The Five Basic Key
Positions, Key of C
From Here, Review Transposing
The Key Positions Through All Twelve Keys
david_woods@verizon.net
The only dumb
question is the one you don't ask. As far as comments and suggestions
are concerned, I've been told where to go, and what to do when I get there,
in such creative terms, that nothing surprises me any more.....so feel free.
|
Root Position
Chord Voicing, And Arpeggios
These are the "rock bottom"
basics, in understanding improvisation |
How Do Key
Positions Function
This Shows
you how the Key Positions and the arpeggios contained within them
provide all of the
harmonic and melodic resources you'll ever need
|
Transposing
The Key
Positions
Through All
Twelve Keys
For Letter
Spelling and Notation, Refer All
Key Positions Converted to the Numbers System Here |
Impressions
Backing Tracks Key of C.
The
form is A A B A. For the B section push any Key Position up one
fret, then drop it back one fret for the last A section.
Each section is 8 bars long.
|
|
C major Ionian and A
minor Aeolian are called Relative Minor and Major because
They're both derived from the same Key Position
Here they're shown
using the numbers system.
Ionian
Mode
Key Position One, Two
Five One
Key Position Two, Two
Five One
Key Position Three, Two
Five One
Key Position Four, Two
Five One
Key Position Five, Two
Five One
Aeolian
Mode
Key Position One, Two
Five One
Key Position Two, Two
Five One
Key Position Three, Two
Five One
Key Position Four, Two
Five One
Key Position Five, Two
Five One
|
Twelve Bar Blues
Analysis
Five Chords,
Mix And Match
One Chords, Mix
And Match
One Six Two
Five In Major
One Six Two
Five In Minor
Looking For Chord Voicings
Within The Key Positions
Dorian Chord Sequence Key
Position Four
|
Key Position
One in All Twelve Keys
Key Position
Two in All Twelve Keys
Key Position
Three in All Twelve Keys
Key Position Four
in All Twelve Keys
Key Position
Five
in All Twelve Keys
Moving Through
The Positions
The Chromatic Scale
The Blues And The Pentatonic
The Blues Does
Change Keys
The Blues scale
Relative Major and Minor
The Blues scale
Parallel Major and Minor
Blues
Harmony and Chord Progression
|
Playing the Five Basic Key
Positions in The Key Of C against these backup tracks will teach
you to hear and feel the Modes of the Key of C.
Tune
up.mp3
Impressions in C
major Ionian
Impressions in D
minor Dorian
Impressions in
E minor Phrygian
Impressions in F major
Lydian
Impressions
in G major Mixolydian
Impressions in A
minor Aeolian
|
|
Freddy Green
Style |
Blues Progressions |
Cherokee
Analysis |
Backing
Tracks |
|
Big
Band Three Note Chord Voicings
Simple F Minor Blues |
Minor Blues in F
(Fmin7 ///)(Bbmin7///)(Fmin7///)(Fmin7//F7//)(Bbmin7///)(////) ( Fmin7///)(
////)
(Db7///)( C7///)(Fmin7///)
Db7/C7)
Basically Minor Pentatonic mixed with chord
tones. |
Cherokee Analysis |
Tune Up
Cherokee 100
Cherokee 120
Cherokee 140
Cherokee 160
Cherokee 180
Cherokee 200
Cherokee 220
Cherokee 240
|
|
|
|
|
|
